BEIRUT ART FAIR is pleased to announce its roundtable series, taking place every afternoon during the fair. The debates will focus on the subject of modern and contemporary art from the MENA region, aiming to enrich our understanding of it, from a historical, theoretical and critical perspective, to examine its impact and brainstorm its possible futures. The series of exchanges will cover topics such as the making of the artist, the importance of art in telling an alternative story of the region, artistic scenes’ effect on their environment, and financial challenges faced by regional museums today. Celebrated British war photographer Don McCullin will also discuss his work in Beirut in the nineteen-eighties, and we’ll go back in time with a roundtable on Orientalist art.
Thursday 19 September
Lebanon in the eighties
4.30 p.m. – 5.30 p.m.
Photographer Sir Don McCullin
Don McCullin is one of the world’s greatest war photographers. The impact of his black-and-white images is immeasurable, as the British photographer traveled the planet to shed light on extremely perilous situations, uncover hidden truths and relentlessly denounce injustice. McCullin depicts his subjects with empathy and compassion, and celebrates the dignity and resilience of mankind under the harshest circumstances. His work is in a class with the likes of Robert Capa, Henri Cartier-Bresson, Robert Frank, W. Eugene Smith, and Gilles Caron.
What "makes" artists and their works?
6 p.m. – 7 p.m.
In French & English
Moderated by Joanna Abou-Sleiman Chevalier, BEIRUT ART FAIR Artistic director
Valérie Arcache-Aouad, auctioneer, Beirut Richard Haykel, art collector Elena Micheletti, Associate director, Primo Marella Gallery, Milan Hady Sy, photographer and visual artist Marie-Ann Yemsi, independent art consultant and curator
From the studio to cultural institutions, what shapes an artist’s career ? Is the support of experts and cultural institutions necessary to promote undiscovered artists on the contemporary art scene ?
How do theoretical approaches and visions inform the understanding of artists’ production ?
How can artists’ freedom and singularity be protected despite external pressures to fit a certain mold ?
How can the imposition of certain western criteria on artistic production be avoided, and how can different approaches be better integrated in non-western scenes ?
Friday 20 September
The importance of the arts in telling an alternative story of the MENA region.
5 p.m. – 6 p.m.
Moderated by Dr.Marie Tomb, art historian of the Middle East with Catherine David, Deputy Director for research and globalization, Musée National d’Art Moderne at the Centre Georges Pompidou, Paris Rachel Dedman, independent curator Rose Issa publisher, writer and curator Lyne Sneige, Director of the Arts & Culture Program at the Middle East Institute (MEI), Washington D.C
As artists are witnesses to their times, do they have the duty to testify to the history-in-the-making they are experiencing ?
Should artists take upon the task of writing History in the absence of an “official” version of it in MENA countries ?
How do modern and contemporary MENA artists contribute to writing the History of their countries and their region ?
What are the repercussions of artworks touching upon MENA History ?
The impact of an artistic scene on its environment
6.30 p.m. – 7.30 p.m.
Moderated by Olivia Bourrat, Scientific Director at Agence France-Muséums, Louvre Abu Dhabi (UAE) with Faisal Al Hassan, General Manager at Warehouse 421, Abu Dhabi Saleh Barakat, founder and director of Agial Art Gallery and Saleh Barakat Gallery, Beirut Jean-François Charnier, Scientific Director, French Agency for AlUla Development Nada Ghandour, independent curator
What is the role of institutions in the developmentof an artistic scene ? Between emulation and competition, what is the role of belonging to a group of artists or a movementin fashioning artists’ production ?
Who participates in the selection of artists and the development of an artistic scene ?
How can an artistic scene contribute to a society’s transformation ?
Saturday 21 September
Museums' economic stakes: financing, philanthropy and more
4.30 p.m. – 5.30 p.m.
Moderated by Olivia Bourrat, Scientific Director at Agence France-Muséums, Louvre Abu Dhabi (UAE) with Ainhoa Grandes, President of the Museu d’Art Contemporani de Barcelona (MACBA), Barcelona Dr. Khalid Khreis, Director of the Jordan National Gallery of Fine Arts, Amman Candida Pestana, Curator of Contemporary Art at the King Abdulaziz Center for World Culture (Ithra), Dhahran (Saudi Arabia) Véronique Rieffel, Curator, former Director of the Institut des Cultures de l’Islam, Paris
What are the challenges facing museums today in financial terms?
Who finances museums?
What are the limits of relying on philanthropy?
Are there source of financing museums should refuse?
An Orientalist Voyage
6 p.m. – 7 p.m.
Moderated by Dr. Ray Jabre Mouawad, Professor of History at the Lebanese American University (LAU), Beirut with Gaby Daher, arts and decorative arts expert Philippe Jabre, collector Jean-Louis Mainguy, scenographer and interior designer
Who are the European artists who painted or produced artworks responding to Lebanon and the Levant?
What were their motivations to depict Lebanon and the Levant?
What were their perspectives on Lebanon and the Levant?
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